Michael Hurd

Bodleian Library Deposit

Autograph music manuscripts (1948-2004), including fair copies, drafts and sketches. In ink unless otherwise noted. Mostly large fol. or fol.

Partly bequeathed by the composer, and partly presented by his executors, 2007. The catalogue is arranged as follows: 

I 	OPERAS	1	
II	INCIDENTAL MUSIC	3	
III	FILM MUSIC	5	
IV	CANTATA AND OTHER LARGE SCALE CHORAL WORKS	6	
V	SMALLER SCALE CHORAL WORKS	16	
VI	SOLO SONGS AND DUETS	21	
VII	ORCHESTRAL MUSIC (INCLUDING CONCERTOS)	25	
VIII	BAND MUSIC	27	
IX	INSTRUMENTAL ENSEMBLES	29	
X	CHAMBER MUSIC	31	
XI	PIANO MUSIC (FOR ONE OR TWO PIANOS)	32	
XII	ARRANGEMENTS AND EDITIONS	33	
XIII	UNFINISHED WORKS, SKETCHES ETC	34	
			
	INDEX	36	

I Operas

The Widow of Ephesus

Chamber opera in one act. 1969-71. Libretto by David Hughes and Michael Hurd. Vocal score published, Borough Green. Novello, 1975.

a (b. 137)	Full score. First version, with pencil revisions. 220 pages;
b (c. 579)	Full score, revised version. 220 pages;
c (b. 138)	Photostat of revised full score, from Novello Hire Library, with pencil conductor’s markings. 220 pages;
d (b. 136)	Engraved full score, unpublished. 210 leaves (printed on one side of the leaf only);
e (b. 139)	Pencil full score sketches, ‘begun June 22nd 1971’. 92 pages;
f (b. 140)	Vocal score, dated at end, ‘1971, revised December 1971’. 76 pages;
g (b. 141)	Early version of vocal score, wanting many pages. 26 leaves;
h (b. 142)	Sheets of master copy of engraved vocal score for publication. 76 pages in printing imposition order (printed on one side of the leaf only).
i (b. 143)	Vocal score sketch/draft in blue ballpoint, with red ballpoint and pencil annotations, dated at end, ‘Sketches. Nov. 5th - Dec. 5th 1969’. 38 pages;
j (b. 144)	Ballpoint sketches. 4 leaves.

MSS. Mus. b. 136-44, c. 579

The Aspern Papers

Chamber opera in three acts. Libretto by the composer, based on the novella by Henry James. 1992-4.

a (c. 580)	Full score, dated at end, ‘West Liss, 30 November 1994’. 304 pages;
b (b. 145)	Full score, pencil draft, dated at end. ‘28 July 1994, West Liss’. 264 pages;
c (b. 146)	Vocal score, draft of first version, with red ink and pencil corrections, dated at end, ‘West Liss. February 26th 1993’. 68 pages;
d (b. 147)	Vocal score, first draft of second version, dated at end ‘West Liss, Hampshire, 7 July 1993’. 88 pages;
e (b. 148)	Vocal score, final copy of second version, dated at end. ‘West Liss, Hampshire, © 25 May 1994’, with note ‘Commissioned by the Port Fairy Spring Music Festival and first performed on 14 October, 1995, repeated at the Atheneum Theatre, Melbourne. 11-12 November’. 96 pages;
f (b. 149)	Pencil draft in vocal score, incomplete, pp. 1-32 (Act 1 and the first page of Act 2) and pp. 60-94 (end of Act 2 and act 3) only: end of Act 1 dated ‘June 10th 1992’, end of Act 2 dated ‘June 28th 1992’, end of Act 3 dated ‘July 1st 1992’. 70 pages;
g (b. 150)	Orchestral parts, master set, ?reproduced from transparencies with string bowing added in pencil. 142 leaves (not separately foliated);
h (b. 151)	Orchestral parts, photocopies, as used at the Port Fairy production, with pencil performance markings. 317 leaves (not separately foliated);
i (e. 49)	Sketches in commercial manuscript book. Obi. 8°. 13 leaves;
j (b. 375, fol. 174) Single red ballpoint and pencil sketch leaf. Obi. fol.

MSS. Mus. b. 145-51, 375, c. 580, e. 49

The Night of the Wedding

Opera in one act. Libretto by the composer. 199~-8. Based on Frederick Witney’s play ‘Nuit de noces’. Hurd had originally asked Witney's permission to set it to music in 1954/5.

a (b. 152)	Score, with accompaniment for piano and harpsichord (never intended to be orchestrated), dated at end, ‘1998. Liss. March 30th’. 32 pages (pp. 27-32 blank);
b (b. 153)	Draft pencil score, entitled ‘Nuit de noces’. dated at end ‘January 1st 1998’;
c (b. 154)	Pencil sketch. 1 leaf.

MSS. Mus. b. 152-4

II Incidental music

Cider with Rosie

For voice(s) and piano. 1980. Score (partly photostat), dated at end, ‘© 1980’. 6 leaves.

MS. Mus. b. 155

Ring Round the Moon

Comedy by Jean Anouilh. Lion and Unicorn Players, Petersfield, production, 1991. 10 leaves.

a (fols.1-4)	Score (Waltz, Tango and Polka) with red ink and pencil annotations, wrongly identified in pencil at end as ‘Incidental music for a Winton Player's play in Petersfield, 1993?’;
b (fols.5-8)	Photocopy of a (Waltz only), but dated at end, ‘© 1991’ and identified as the Petersfield 1991 production;
c (fols.9-10)	Photocopy of clarinet part of Tango and Polka.

MS. Mus. b. 156

Romeo and Juliet

Tibberton Court production, Aug. 1995. For various instrumental ensembles. Score with pencil annotations. 12 pages.

MS. Mus. b. 157

Much Ado About Nothing

For voice(s) and piano. 2001. Photocopies of score, with one-page autograph of the opening 7 bars of ‘Sigh no more, ladies’ only, dated 2001. 7 leaves.

MS. Mus. b. 158

Comus

n.d. For various instrumental combinations. Score. 6 leaves.

MS. Mus. b. 159

Edward II

Christopher Marlowe. For various instrumental ensembles, n.d. [c. I960?]. Score. 5 leaves.

MS. Mus. b. 160

Music for the Tragical Comedy of Pyramus and Thisbe

For flute, oboe and bassoon, n.d. Score. 2 leaves.

MS. Mus. b. 161

Nu natten gått och dagen grytt

Hymn(?) for SATB. n.d. Score, marked ‘Cue 12’; together with leaf containing melody line only of ‘Framat, framåt marschera’, a pencil sketch of which is on the verso of ‘Nu natten’ without words. 2 leaves.

MS. Mus. b. 162

The Singing Dolphin

Music for songs in the Christmas play for children by Beverley Cross, published 1959. 2 songs in piano score only, without words. 2 leaves.

MS. Mus. b. 163

Untitled incidental music

with indications ‘Cue 1’ etc. For 2 flutes, tabor and timpani, n.d. Ballpoint draft. 2 leaves.

MS. Mus. b. 164

III Film music

Flickorna

Film directed by Mai Zetterling, 1968. Also known as ‘The Girls’. For assorted combinations. Score, undated. See also ‘Captain Cod’ under Band music.

MS. Mus. b. 165

Safely, Safely, or Two Feet of Love

Film directed by Sarah Erulkar. 1972. Piano score. 1 leaf.

MS. Mus. b. 166

Scrubbers

Film directed by Mai Zetterling, 1982. Music for organ and piano. Score with note ‘recorded July 1st 1982’. With typescript cue sheet. 5 leaves.

MS. Mus. b. 167

Music for final scene

of unspecified film, n.d. Score, with typescript notes on recording history and instructions to performers. 7 leaves.

MS. Mus. b. 168

IV Cantatas and other larger-scale choral works

Nine songs for unison voices

(2-part in no. 9) and piano. Words by Walter de la Mare. No title, c. 1963.

Contents	‘Old Tillie Turverycombe’, ‘A screech across the sands’, ‘Here am I, A poor old guy’, ‘King David was a sorrowful man’, ‘Sailorman, I'll give to you’, ‘There came an old sailor’, ‘Dark-browed sailor, tell me now’, ‘Here is a sea-legged sailor’, ‘As we sailed out of London river’. Score.

5 were published (as ‘Araby’, and ‘Please to remember’, and ‘Sailor's song’, ‘The silver penny’, and ‘Tillie’), London, Novello, 1963, and all 9, revised, as ‘Sea and shore songs’, Borough Green, Novello, 1968. The manuscript corresponds exactly to neither version. 10 leaves.

MS. Mus. b. 169

Canticles of the Virgin Mary

For SSA, flute, oboe, clarinet and cello. 1964. Vocal score published, London, Novello, 1965.

a (b. 170)	Score, dated at end, ‘December 1964’, with pencil revisions, i +23 pages;
b (b. 171)	Score, a copy of a, also dated ‘December 1964’, with pencil revisions, i + 19 pages;
c (b. 172)	Vocal score. 8 leaves;
d (b. 173-4)	Harp part, edited by David Watkins. 2 copies, i + 9, i + 12 pages.

MSS. Mus. b. 170-4

Little Billy

A nautical opera for children. With piano accompaniment. Words by the composer. 1964. Score, with red ink and pencil annotations, dated at end, ‘West Liss, May 1964’. 10 leaves. Published, London, Novello, 1966.

MS. Mus. b. 175

Jonah-Man Jazz

A cantata-musical. Words by the composer, c. 1966. Originally for unison voices and piano; accompaniment also arranged for instrumental ensemble. Piano version published, London, Novello, 1966. 44 leaves.

a (fols. 1-25)	Photocopy of score of full instrumental version (accompaniment for flute, oboe, clarinet, saxophone, trumpet, trombone and bass);
b (fols. 26-31)	Pencil draft of full instrumental version;
c (fols. 32-44)	Photocopy of a copy of the published score with substitution of French words (translated by Sally Galet, c. 1988, and headed ‘Jonah-Jazz’) and further minor changes marked in red by the composer, together with letters from Galet (16 Apr. 1988) and Leslie East (of Novello, 29 Apr. 1988). Wanting the last page of the score.

MS. Mus. b. 382

Missa Brevis

For SSA and organ, c. 1967. Latin words. Ink score with red ink and pencil additions. ‘For Lennox and Freda Berkeley’. Published, London, Novello, 1967. 16 pages.

MS. Mus. b. 176

A Song for St Cecilia

For SATB and orchestra. Words by John Dryden.
c. 1967. Draft score (incomplete). 14 leaves. Vocal score published, London, Novello, 1967.

MS. Mus. b. 177

Music's Praise

Serenade for SATB chorus and string orchestra, c. 1968. Words by Alexander Pope, William Strode, William Shakespeare and Robert Herrick.

Full score (lacking title), with pencil markings. 28 pages. Vocal score published, Borough Green, Novello, 1969.

MS. Mus. c. 581

Charms and Ceremonies

For unison voices, SSA and piano. Accompaniment also scored for string orchestra. Words by Robert Herrick. c. 1969. Piano version published, Borough Green, Novello, 1971.

a (fols. 1-12)	Rough draft score of piano version with blue and red ballpoint and pencil additions;
b (fols. 12-14)	Pencil draft of version with string orchestra (3 pages only);
c (fols. 15-18)	Proofs of published score (4 pages only).

MS. Mus. b. 178

The Phoenix and the Turtle

For S solo, SATB chorus, timpani and string orchestra. Dec. 1973. Words by William Shakespeare. Vocal score published, Borough Green, Novello, 1977.

a (c. 582)	Full score. 36 pages;
b (b. 179)	Photostat of vocal score. 20 pages;
c (b. 180)	Another copy of b), marked ‘revised’, with pencil corrections, and making the solo part for mezzo-soprano. 20 pages;
d (b. 181)	Draft, probably abandoned at p. 10. 10 pages;
e (b. 182)	Later draft, wanting all after p. 12. 12 pages;
f (b. 183)	Part of earlier ink vocal score (pp. 3-6, 15-18 only), with pencil revisions. 4 leaves;
g (b. 184)	pencil and ink sketches and drafts, undated, and dated ‘Oct.18th 1973’. 21 leaves.

MSS. Mus. b. 179-84, c. 582

Swingin' Samson

Cantata in popular style for narrator, unison voices (with some division) and piano. Words by the composer, c. 1973. Score (lacking title), with red and black ballpoint revisions. 16 pages. Published, Borough Green, Novello, 1973.

MS. Mus. b. 185

Flower Songs

For SA (with occasional 2nd S part) and string orchestra, or piano. Words by Robert Herrick. c. 1973. Commissioned by the Hampshire Federation of Women’s Institutes for performance ... on May 23rd 1974.

a (b. 186)	Full score. 32 pages;
b (b. 187)	Vocal score with pencil and red ballpoint additions, dated at end, ‘January 19th 1973’, with 4 pages of sketches/corrections in black and red ballpoint and pencil, ii + 22 pages;
c (b. 188)	Photostat vocal score (partly reproducing the autograph vocal score).

MSS. Mus. b. 186-8

This Day to Man

1st version: Seven hymns for the Nativity. For SATB and string orchestra. 1974. Words by various poets. ‘Commissioned by the Chichester Singers .. for performance on December 14th 1974’.

a (b. 131)	Full score, dated at end, ‘October 4th 74’. 36 pages;
b (b. 376)	Reverse transparencies of a) (dated at end, ‘Hobart[?], 74’). 36 leaves;
c (b. 377)	Transparencies of string parts. 40 leaves (not separately foliated);
d (b. 189)	Vocal score, with pencil revisions, of an earlier version with a shorter opening section in G rather than E flat, ii + 38 pages;
e (b. 190)	Pencil drafts of vocal score. 11 leaves.

2nd version: Six hymns for the Nativity. For SATB and full orchestra. Vocal score published, Borough Greeen, Novello, 1979.

f (b.132)	Full score, dated at end, ‘Liss 1978, Oct.’. 56 pages;
g (b. 191)	Vocal score. 32 pages;
h (b. 192)	Pencil draft full score (incomplete, after p. 20). 20 pages;
i (b. 193)	Pencil and ink sketches of full score. 2 leaves.

MSS. Mus. b. 131-2, 189-93, 376-7

Hip-Hip Horatio

An ‘oratorio’ for narrator/tenor, chorus of high and low voices and piano. 1974. Words by Michael Blom. Published, Borough Green, Novello, 1975.

a (pp. 1-28)	Draft score, with red ballpoint and pencil annotations, dated on title-page, ‘January 21st 1974’;
b (pp. 29-32)	4 pages only (paginated 45-8) from another score with red ballpoint revisions, dated at end, ‘April 30th 1974’, and used as engraver’s copy;
c (pp. 33-6)	Pencil draft of no. 1.

MS. Mus. b. 194

Shepherd's Calendar

Choral symphony for baritone solo, SATB chorus and orchestra. Words by John Clare. 1975. ‘Commissioned by the Southampton Choral Society ... and first performed on 10th October 1975’. Vocal score published, Borough Green, Novello, 1978.

a (b. 133)	Full score. 92 pages;
b (b. 195)	Pencil draft of full score, dated at end, ‘Scoring, April 21st-24th, 9 a.m.-11.45, mornings and some evenings’. 40 pages;
c (b. 196)	Vocal score, dated at end, ‘Liss, March 6th, 1975’, marked p for engraving;
d (b. 197)	Vocal score with red ink and pencil alterations (incomplete, wanting all after p. 20). 20 pages;
e (b 198)	Full score (pp. 1-3 only, then abandoned). 8 pages (pp. 4-8 blank);
f (b. 199)	Pencil rough draft in piano score, wanting final pages. 26 pages;
g (b. 200)	Draft of no. 3, and of last page, in piano score. 3 leaves.

MSS. Mus. b. 133, 195-200

Rooster Rag

A cantata in popular style for narrator, unison voices, with divisions, and piano. Words by the composer, c. 1976. Published, Borough Green, Novello, 1976.

a (b. 201)	Score, with red and blue ballpoint and pencil annotations. 16 pages;
b (b. 202)	Blue and red ballpoint sketches. 8 pages.

MSS. Mus. b. 201-2

Round the Town

Five songs for unison voices and piano. Words by Charles Causley. April 1977. Published, Borough Green, Novello, 1978.

a (b. 203)	Score, with pencil revisions, dated at end, Liss, April 1977, 16 pages;
b (b. 204)	Score, incorporating revisions made to a), also dated at end Liss. April 1977. 16 pages.

MSS. Mus. b. 203-4

Pilgrim

A musical morality, in popular style, for unison voices (with divisions) and piano. Words by the composer, based on, and incorporating text from, John Bunyan’s ‘The Pilgrim's Progress’. 1977. Published, Borough Green, Novello, 1978.

a (b. 205)	Score, with pencil revisions, dated at end, ‘1977, October 16th’ 14 pages;
b (b. 206)	Revised score, dated at end, ‘© 1977’. 24 pages;
c (b. 207)	Pencil draft, dated at end, ‘Liss, October 6th 1977’, with another draft of the final number. 14 pages.

MSS. Mus. b. 205-7

Musick's Empire

‘Secular anthem’ for SATB chorus and orchestra. Words by Robert Herrick and Andrew Marvell. 1978. See also A Secular Anthem under V: Smaller-scale choral works.

a (b. 208)	Score, dated at end, ‘Liss, August 16th 1978’. 36 pages;
b (b. 209)	Photocopy of a, with a few conductor’s markings in pencil, ii + 36 pages;
c (b. 210)	Vocal score, ii + 14 pages;
d (b. 211)	Orchestral parts. 36 leaves (not separately foliated).

MSS. Mus. b. 208-11

Adam-in-Eden

Pop cantata for voices and piano. 1979-81. Words by the composer. Published, Borough Green, Novello, 1982.

a (b. 212)	Score of first version, with pencil, red ballpoint and red crayon corrections, dated at end, ‘© 1979’. 26 pages;
b (b. 213)	Score of revised version, with pencil and red ballpoint corrections, dated at end, Liss, July 1980, and on p. 1, ‘Revised & final copy, 9.4.81’. Used as engraver's copy. 28 pages.

MSS. Mus. b. 212-13

Nine of Anon

9 songs for 2-part voices and piano. 1980. ‘Commissioned by the Bromley Boy Singers ... and first performed ... April 30th 1981’. Published, Borough Green, Novello, 1982.

a (b. 214)	Score, dated at end ‘Liss, November 1980’. 24 pages;
b (b. 215)	Score, with revised metronome markings etc. 24 pages.

MSS. Mus.b. 214-15

Mrs Beeton's Book

A music-hall guide to Victorian living. For narrator, SSA chorus and piano. 1983. Version with piano solo acc. published, Borough Green, Novello, 1983.

a (b. 216)	Score, dated at end, ‘6 Jan. 1983’. 40 pages;
b (b. 217)	Score with elaborated accompaniment for piano duet, dated at end, ‘© Novello, 1983’. Partly made up from pasted-in pages of the published score, ii + 38 pages.

MSS. Mus.b. 216-17

Captain Coram's Kids

An ‘eighteenth-century’ pop cantata. For narrator, unison voices and piano; also orchestrated for flute, oboe, bassoon and strings. 1987. Words and music by Michael Hurd. ‘Commissioned by the Heritage Education Trust ... for performance at the Banqueting House, Whitehall, on Thursday, 12th November, 1987’. Piano version published, London, Novello, 1989.

a (b. 218)	Score of piano version, dated at end, ‘West Liss, May 28th 1987’. 20 pages;
b (b. 219)	Score of orchestrated version, ‘© 1989’. 28 pages.

MSS. Mus. b. 218-19

A New Nowell

Cantata for narrator, unison voices, with divisions, and piano, c. 1987. Words by the composer. Score. 24 pages. Published, London, Novello, 1987.

MS. Mus. b. 220

Prodigal

Cantata, for 2-part voices and piano; also partially orchestrated for flute, oboe, clarinet, bassoon and strings. 1988, rev. 1991. Words by the composer. ‘Commissioned by the South Australian Public Schools Music Society for the 1989 Festival of Music, Adelaide, 4-12 September’. Piano version published, London, Novello, 1996.

a (b. 221)	Score of first piano version, with pencil revisions. 28 pages;
b (b. 222)	Score of revised piano version, ‘revised, April 1991’. 18 pages;
c (b. 223)	Score of orchestrated version (nos. 1,3,5,8, 11 and 12 only), dated, ‘© 1988’. Lacking the first 6 pages of no. 11. 24 pages;
d (b. 224)	Orchestral parts. 18 leaves;
e (b. 225)	Pencil draft of piano version. 8 pages;
f (b. 226)	Part of pencil draft of orchestrated version. 4 pages.

MSS. Mus. b. 221-6

The Liberty Tree

Ballad cantata for narrator, unison voices (with some 2-part writing) and piano. 1989. Published, London, Novello, 1989.

a (b. 227)	Score, incomplete, wanting the last two numbers. 24 pages;
b (b. 228)	Pencil draft, dated at end, ‘Feb. 16th 1989’. 12 pages;
c (b. 229)	Master copy of vocal lines. 14 pages.

MSS. Mus. b. 227-9

King and Conscience

Ballad cantata for narrator, unison voices and piano; also orchestrated for small orchestra. Words by the composer. 1989-90. Piano version published, London, Novello. 1990.

a (b. 230)	Score of piano version, dated at end, ‘July 1st 1989’. 20 pages;
b (b. 231)	Score of orchestral version, dated at end, ‘Liss, April 14th 1990’. 24 pages;
c (b. 232)	Orchestral parts. 21 leaves (not separately foliated);
d (b. 233)	Pencil draft of piano version. 8 pages;
e (b. 234)	Pencil draft of orchestral version. 18 pages;
f (b. 235)	Pencil and ink sketches. 2 leaves.

MSS. Mus. b. 230-5

Mr Owen’s Great Endeavour

Ballad cantata for narrator, unison voices and piano; also orchestrated for small orchestra. 1990. Words by the composer. Piano version published, London, Novello, 1991.

a (b. 236)	Score of first piano version, entitled ‘Mr Owen’s Maggot’, dated at end, ‘Liss, March 9th 1990’. Ink with pencil revisions. 24 pages;
b (b. 237)	Score of revised piano version, entitled ‘Mr. Owen's Great Endeavour’, dated at end, ‘Liss, March 15th 1990’. 24 pages;
c (b. 238)	Score of orchestral version, dated at end, ‘West Liss, October 18th 1990’. 32 pages;
d (b. 239)	Pencil draft of orchestral version. 20 pages.

MSS. Mus. b. 236-9

Five Spiritual Songs (Laude Spirituale)

For SSA (with SA soli in no. 5), or SATB unacc. 1986-95. Words by George Herbert. SATB version published, London, Novello, 1996.

a (b. 240)	First SSA version. Score, entitled ‘Laude spirituale’, dated at end, ‘Liss, Sept. 18th 1986’. Pencil revisions are made throughout, and the first page is crossed through in pencil with the note ‘1st version, revised 1994’ and the title ‘Five spiritual songs’ added at the top of the page. 16 pages;
b (b. 241)	Photocopy of a made before the pencil revisions, with some alterations in red ballpoint. 16 pages;
c (b. 242)	Second SSA version, Score, entitled ‘Five spiritual songs’, dated at end, ‘Liss, Jan 2nd 1995’. 16 pages;
d (b. 243)	SATB version. Score, entitled ‘Five spiritual songs’, dated at end, ‘© August 1995’. 16 pages;
e (b. 244)	SATB version. Ink draft, entitled ‘Five spiritual songs’, with pencil and red ballpoint revisions, and note ‘Commissioned by Rupert D'Croze & the Portsmouth Choral Union in celebration of the choir's 25th anniversary. First performed June 1996’. 10 pages.

MSS. Mus. b. 240-4

Three Saints in One

For S(S)A, flute and piano, c. 1984. Words by Anthony Rye, Michael Hurd and Joseph Addison. ‘Commissioned to celebrate the centenary of St Swithin’s School, Winchester, and first performed on May 4th & 5th, 1984’.

a (b. 245)	Score. 24 pages;
b (b. 246)	Score of earlier version, entitled ‘Saints and interludes’, and lacking the instrumental interludes present in a) dated at end, ‘© 1984’. 30 pages.

MSS. Mus. b. 245-6

Night Songs of Edward Thomas

For SATB unacc. 1990. Published, London, Novello, 1994.

a (b. 247)	Score, dated at end, ‘Liss, 25 July 1990’. 28 pages;
b (b. 248)	Pencil draft, dated at end, ‘July 10th 1990’. 16 pages;
c (b. 249)	Pencil sketches/draft. 5 leaves.

MSS. Mus. b. 247-9

A Choral Cantata

For soprano solo, SATB choir, organ, brass and timpani. 1991. Words from Psalm 150, Richard Edwards (1523-66), and Nahum Tate and Nicolas Brady. ‘Commissioned by the Southport Bach Society ... for performance on 22 June, 1991’.

a (b. 250)	Full score, dated at end, ‘January 1991’. 20 pages;
b (b. 251)	Vocal score with pencil additions, dated at end, ‘West Liss. 17 January 1991’;
c (b. 252)	Pencil drafts, wanting last 2(?) pages of 3rd movt. 18 pages.

MSS. Mus. b. 250-2

Pop Pied Piper

A cantata in popular style for narrator, unison voices and piano; also with instrumental ensemble. 1997-8.

a (b. 253)	Score of piano version, dated at end, ‘Liss June 1997’. 24 pages;
b (b. 254)	Score of instrumental ensemble version (flute, clarinet, alto and tenor sax, 2 trombones, bass, percussion and keyboard), dated at end, ‘January 29th 1998’. 68 pages;
c (b. 255)	Pencil draft and sketches of piano version. 28 pages:
d (b. 256)	Pencil drafts of instrumental ensemble version (wanting pp. 1-4). 6 leaves.

MSS. Mus. b. 253-6

Five Songs of Praise

For SATB, string orchestra and percussion. 1999. Words by various 16th-17th cent, poets.

a (b. 257)	Full score, dated at end, ‘© 1999’. 20 pages;
b (b. 258)	Vocal score, dated at end, ‘Liss June 3rd 1999’. 26 pages;
c (b. 259)	Pencil draft of full score (wanting all after p 12). 12 pages;
d (b. 260)	Pencil drafts and sketches, with ink vocal score of the tenor solo section of no. 2 (fols. 25-6). Some sketches of the introduction to no. 1 suggest reuse of the introduction of ‘A choral cantata’, but not eventually used. No. 5 apparently originally planned as a setting of Addison's ‘The spacious firmament on high’, entitled ‘Laudation’. 26 leaves.

MSS. Mus. b. 257-60

Mr Punch

Songs for a play ? For voices and piano, n.d. 2 scores, with only partly duplicated contents; ink with blue and red ballpoint and pencil additions. 10; 8 leaves.

MSS. Mus. b. 261-2

V Smaller-scale choral works

Antiphon (‘Let all the world’)

For SATB unacc. Words by George Herbert. Photostat of ink score, dated at end, ‘Liss, 1961’. 1 leaf.

MS. Mus. b. 263

Consecration Hymn

Hymn tune in keyboard score. No words. Ink score, dated at end, ‘Liss 1961’. Miscellaneous sketches in blue ballpoint, red crayon and pencil on verso. 1 leaf.

MS. Mus. b. 264

Anthem: Praise ye the Lord

For SATB and organ. 1966. Words: Psalm 148, vv. 1-5. ‘Com[missione]d by the Church of St Lawrence, Alton, Hampshire, to celebrate the restoration of the organ, Oct. 1966’. Published, London, Novello, 1966.

a (fols. 1-3)	Score with pencil revisions.
b (fols. 4-5v)	Revised score.

MS. Mus. b. 265

Five Epitaphs from an Imaginary Graveyard

For SSA unacc. c. 1970. Words by Robert Herrick. Score with red ballpoint and pencil revisions. 4 leaves. Published, [Borough Green], Novello, 1970.

MS. Mus. b. 266

Merciles Beaute

Three rondels for unaccompanied SATB. Words attributed to Geoffrey Chaucer. Score with pencil additions, dated at end, ‘May 1973’. 8 pages. Published, Borough Green, Novello, 1980.

MS. Mus. b. 267

A Song of St Francis

Anthem for A solo and SSA chorus unacc. 1983/4. Ink score, dated at end ‘© 1984’. ‘Commissioned by Walthamstow Hall, Sevenoaks, for Miss Elfreda Davies on the occasion of her retirement, November 12th 1983’. 8 pages. Published, Borough Green, Novello, 1985.

MS. Mus. b. 268

A Dream Cantata

For SA and piano. 1984. Words by Christina Rossetti. ‘For Angela Dugdale and the Glaven Ladies Choir ... performance ... on July 2nd 1984’.

a (b. 269)	Score, dated at end, ‘© 1984’. 12 pages;
b (b. 270)	Photocopy of a), with red ink annotation, and the typescript words on separate sheets. 12 pages;
c (b. 271)	Draft score, entitled ‘A Paradise Cantata’, dated on p. 1, ‘© 1984’. 6 pages.

MSS. Mus. b. 269-71

A Parley of Owls

For SATB unacc. 1986. Words, anon. 17th cent., Anthony Rye, and Alfred, Lord Tennyson. ‘Commissioned by the Beccles Music Festival for performance ... March 1987’

a (b. 272)	Score, dated at end ‘© 1986’. 8 pages;
b (b. 273)	Pencil draft, entitled ‘A parliament of owls’, dated at end, ‘Oct. 13th [19]86’. 8 pages.

MSS. Mus. b. 272-3

Songs of Here and There

For unison voices and piano. 1986-8. Score, with typescript of words. ‘For the children of Waikerie and Sheet’. 12 pages. Published as ‘Songs from here and there’, London, Novello, 1996.

MS. Mus. b. 274

Rejoice With Us

Anthem for SATB and organ. Words by F. Pratt Green. Score, dated at end, ‘Liss, January 31st 1987’. ‘Commissioned by Holy Trinity Church, Northwood for performance on Trinity Sunday, 1987’. 8 pages.

MS. Mus. b. 275

A Secular Anthem

For SATB and organ. 1987. Words by George Herbert and Andrew Marvell. Published, London, Novello, 1997. See also Musick’s Empire under IV: Cantatas and other larger-scale choral works.

a (b. 276)	Score, dated at end, ‘West Liss, Feb. 9th 1987’. ‘Revised and partly rewritten version of a work for chorus and orchestra [‘Musick’s empire’] com[m]issioned by the Hastings Philharmonic Choir, and performed ... 4 November, 1978. The new version was first performed in Leeds by the St Peter’s Singers ... on 28 June 1987’. 16 pages;
b (b. 277)	Score with the additional note, ‘minor revisions were made in 1997, when preparing the work for publication’. 16 pages;
c (b. 278)	Photocopy of a, with pencil revisions, but not corresponding to those in b) 16 pages;
d (b. 279)	Pencil draft. 16 pages;
e (b. 280)	Revised pencil draft, dated at end, ‘23 January 1997’ 12 pages.

MSS. Mus. b. 277-80

A Carol for the Campbells

For unison voices and piano. 1987. Words by Christina Rossetti. Score, dated at end, ‘© 1987’ 1 leaf.

MS. Mus. b. 281

A Chime of Carols

For SSA and piano. 1992. Words by Christina Rossetti. ‘Commissioned by, and dedicated to, the West Kent Federation of Women's Institutes ... first performance on 20 November 1993’. Score, dated at end, ‘15 August, 1992’. 12 pages.

MS. Mus. b. 282

Anthem ‘Strengthen for Service, Lord’

For SA and organ, c. 1999. Words: Syrian, 4th century, translated by C.W. Humphreys and Percy Dearmer. ‘For Martin Schellenberg and the Choir of St Katharine’s Church, Southbourne-on-Sea, and in memory of S.D.W.’

a (pp. 1-4)	Score;
b (pp. 5.6)	Vocal part;
c (pp. 7-10)	Pencil draft.

MS. Mus. b. 283

Jazz Testament

Hymn for unison voices and piano, c. 1987. Words by William Cowper and A.C. Ainger. Designed to serve as introduction, interludes and epilogue to Hurd’s bible-based ‘pop’ cantatas. Published, Borough Green, Novello, 1987.

a (b. 284)	Score; 4 pages;
b (b. 285)	Revised score. 4 pages;
c (b. 286)	Typescript, ‘Jazz testament: with instructions for the great elastic musical’, i + 5 leaves.

MSS. Mus. b. 284-6

Four Anthems

1: Antiphon (‘Let all the world’), 3: Vertue (‘Sweet day so cool’) and 4: The praise (‘Let all the world ... Alleluia’). For SATB unacc. n.d. (probably early 1960s). Words by George Herbert. Photostat scores. No. 2 is missing. Not the same setting of ‘Antiphon’ as the 1961 one above. 6 pages.

MS. Mus. b. 287

Anthem ‘It Is a Good Thing’ (Bonum confiteri)

For SATB and organ, n.d. Words from Psalm 92 vv. 1-4. Score. 8 pages.

MS. Mus. b. 288

Genesis

Partsong for SATB unacc. n.d. Poems by Geoffrey Hill.

a (b. 289)	Photocopy of score, 1st page only;
b (b. 290)	Pencil draft. 6 pages.

MSS. Mus. b. 289-90

The Grace of our Lord Jesus Christ

For SSA unacc. n.d. Score with red ink annotation. 1 leaf.

MS. Mus. b. 291

Psalm 130 (‘Out of the deep’)

For unison (or ?solo) voices and organ, n.d. Score. 2 pages.

MS. Mus. b. 292

Five songs for unison voices

and school instruments (descant recorder, glockenspiel, side drum and piano). Untitled. n.d.

1	There was a naughty boy (words by John Keats)
2	The man in the wilderness
3	A tragic tale
4	If all the world were paper
5	Hey, nonny no!

Score with pencil corrections. 16 pages.

MS. Mus. b. 293

‘O’r weirfa gul, a’r daren lom’

Partsong? For TTBB. Score. 1 leaf.

MS. Mus. b. 294

VI Solo songs and duets (with piano or other accompaniment)

Ten songs with piano

1948-9, with occasional pencil sketches and notes of first performances, ii + 42 pages.

a (pp. 1-4)	Proud Maisie. Words by Walter Scott. Dated at end, ‘Gloucester 48’;
b (pp. 5-9)	The widow bird. Words by Shelley. Dated at end, ‘1948’;
c (pp. 11-12)	The sick rose. Words by William Blake. Dated at end, ‘Gloucester 48’;
d (pp. 13-16)	Cradle song. Words by Padraic Colum. Dated at end, ‘Gloucester 1948’;
e (pp. 17-19)	Poor man's song. Words by Paul Dehn. Dated at end, ‘Vienna 49’;
f (pp. 21-3)	Song for a sleeper. Words by Paul Dehn. Dated at end, ‘December 31st 1949’;
g (pp. 25-8)	Song for a thief. Words by Paul Dehn. Dated at end, ‘Vienna 1949’;
h (pp. 29-32)	Bread and cherries. Words by Walter de la Mare. Dated at end, ‘Gloster [sic], October 1949’;
i (pp. 33-5)	The horseman. Words by Walter de la Mare. Dated at end, ‘Gloucester 1949’;
j (pp. 37-40)	The huntsmen. Words by Walter de la Mare. Dated at end, ‘Gloucester 49’.

MS. Mus. d. 283

The Night Swans

A group of ten songs for tenor and piano to words by Walter de la Mare. 1952. Ink score with pencil corrections, dated at end, ‘Gloucester 1952’ though at least three of the songs date from 1949 (cf. MS. Mus. d. 283). ii + 32 pages.

a (pp. 1-5)	The night swans;
b (pp. 6-7)	The islands of being;
c (pp. 8-9)	Bread and cherries;
d (pp. 10-12)	Song of the soldiers;
e (pp. 13-14)	Water maiden’s song;
f (pp. 15-17)	Someone;
g (pp. 18-19)	Old Shellover;
h (pp. 20-1)	The horseman;
i (pp. 22-4)	The huntsmen;
j (pp. 25-7)	Night song.

MS. Mus. d. 284

Shore Leave

Five songs for baritone and string orchestra, or string quartet, c. 1966-98. Words by Charles Causley. Piano reduction published, London, Novello, 1968.

Orchestral version:

a (b. 134, pp. 1-18))	Full score;
b (b. 134, pp. 19-42)	Revised full score with further revisions in red  ink;
c (b. 295)	Pencil draft. 12 pages;
d (b. 296)	Piano reduction, marked ‘revised version Liss 1966’, with further red ink and pencil corrections. 6 leaves;
e (b. 297)	Another piano reduction, with later revisions, corresponding to the published edition, also with red ink and pencil corrections. Corresponds to the published edition. 6 leaves;

String quartet version:

f (b. 135)	Score, dated at end ‘revised for string quartet May 1998’. 23 leaves;
g (b. 298)	String parts. 12 leaves (not separately foliated).

MSS. Mus. b. 134-5, 295-8

Carmina Amoris

Five songs for baritone and piano. 1979, rev. May 1982(7).Words by Anacreon, Catullus, Plato and anon, in various 19th-cent English translations.

a (b. 299)	First version, undated, entitled ‘Carmina amoris’. 10 pages;
b (b. 300)	Intermediate version, dated at end, ‘© 1979’, entitled ‘Five songs of love’. 12 pages;
c (b. 301)	Revised version, dated at end, ‘© 1979, revised May 1982(?)’, and entitled ‘Carmina Amoris’ again. 12 pages;
d (b. 302)	A later version, undated, of nos. 1-4 only, entitled ‘A Lover’s Garland’. Four songs for baritone and piano’. 8 pages;
e (b. 303)	A still later version, undated, of nos. 2-4 only, entitled ‘A lover's garland. 3 songs for baritone and piano’. 4 leaves;
f (b. 304)	Photocopy of transposed version of all five songs for tenor and piano, with pencil annotations, untitled, dated at end, ‘© 1998’. 9 leaves.

MSS. Mus. b. 299-304

Three Songs of W H Davies

For voice and piano, c. 1990. ‘Commissioned by the Nailsworth Civic Society in commemoration of the 50th anniversary of the death of W.H. Davies, for performance on 28 September, 1990’.

a (pp. 1-4)	Score, incomplete (wanting all after p. 4);
b (pp. 5-10)	Pencil sketches.

MS. Mus. b. 305

The Day’s Alarm

Five songs for baritone and piano to words by Paul Dehn. 1991. Published, London, Novello, 1991.

a (b. 306)	Score, dated at end, ‘Liss, May 18th 1991’. 8 pages;
b (b. 307)	Earlier score on separate sheets with small pencil revisions, undated. 5 leaves.

MSS. Mus. b. 306-7

Three Songs of Robert Graves

For baritone and piano. 1995.

a (b. 308)	Score, dated at end, ‘April 25th 1995, West Liss’. 6 pages;
b (b. 309)	Draft score, with sketches, dated on p. 4, ‘April 1995’, and entitled ‘Three Robert Graves songs’. 6 pages.

MSS. Mus. b. 308-9

Exile

For voice and piano. Words by Walter de la Mare. n.d. 5 leaves.

a (fols. 1-2)	Score. On p. 2 is another song, ‘Goddess of night’ by ‘Gurney/Hurd’, words by F.W. Harvey;
b (fol. 3r+v)	Another score, untitled;
c (fols. 4-5v)	Draft with pencil corrections and sketches.

MS. Mus. b. 310

The Ride by Night

For voice and piano. Words by Walter de la Mare. n.d. 2 leaves

MS. Mus. b. 311

Hang Me High in Mississippi

Unacc. melody, only partly supplied with the words. n.d. 1 leaf.

MS. Mus. b. 312

Western Sailors

For voice and piano, n.d. Score with pencil revisions. 2 leaves.

MS. Mus. b. 313

VII Orchestral music (including concertos)

Circus I – IV

For orchestra.

a (b. 314)	Full score (in 4 sections), dated at end of each section, © 1984. The first is based on the ‘Circus parade’ for band of 1972. 32 pages;
b (b. 315)	Parts, master copies. 32 leaves;
c (b. 316)	Piano version of [1] headed ‘Parade’, with the opening of a 2nd movement, ‘Clown's rondo’, which doesn't correspond to any of the other movements, of the orchestral version.

MSS. Mus. b. 314-16

Concertino Pastorale

For violin and string orchestra. Revised as Sinfonia Concertante.

a (b. 317)	Score of original version, entitled ‘Concertino pastorale’, dated at end, ‘May 5th 1973’, with pencil revisions corresponding to the revised version. 28 pages;
b (b. 318)	Score of revised version, entitled ‘Sinfonia concertante', dated at end, '© 1973’. 28 pages;
c (b. 319)	Ballpoint and pencil sketches. 4 pages.

MSS. Mus. b. 317-19

Dance Diversions

For orchestra. 1973. Published, Borough Green, Novello, 1975.

a (b. 320)	Score, untitled, dated at end, ‘Liss, October 1973’. 80 pages;
b (b. 321)	Revised score, pasted up as master for publication, ii + 78 pages;
c (b. 322)	Pencil draft, with red ballpoint annotations. 60 pages;
d (b. 323)	Revised parts of pencil draft. 8 leaves.

MSS. Mus. b. 320-3

A Little Suite

For junior string orchestra. 1983. Ink score and parts, dated in caption, ‘© 1983’.

a (b. 324)	Score, dated ‘© 1983’. 12 pages;
b (b. 325)	Parts, wanting viola part. 8 leaves.

MSS. Mus. b. 324-5

Concerto da Camera

for oboe and small orchestra. 1979.

a (c. 583)	Full score, dated at end, ‘Liss, April 1979’. 80 pages;
b (c. 584)	Revised full score, dated at end, ‘Liss, April 1979, revised May 1982’. ii + 78 pages;
c (b. 326)	Reduction for oboe and piano. Score (pp. 1-28) and part (pp. 29-36). 36 pages;
d (b. 327)	Reduction for oboe and piano. Pencil draft, entitled ‘Oboe concerto’, with a few sketches for an unrelated work on p. 24. 24 pages;
e (b. 328)	Solo and orchestral parts. Master copies. 35 leaves;
f (b. 378)	Solo and orchestral parts. Transparencies, but unrelated to the set at e) 68 leaves (not separately foliated).

MSS. Mus. b. 326-8, 387, c. 583-4

Overture to an Unwritten Comedy

For orchestra. 1970, revised 1979; further revised. 1982.

a (b. 329)	Score of 1979 version, in 3 movements, dated at end. ‘1979’. Probably then known as ‘Overture, song and dance’ (cf. d below). The final title ‘Overture to an unwritten comedy’, given later, is printed on a slip pasted on p. 1. 68 pages;
b (b. 330)	Score of 1982 version, which consists of the 1st movement only, dated at end, ‘1982’. With a typescript note on the history of its composition, iv + 30 pages;
c (b. 331)	Black, blue and red ballpoint draft of 1982 version. 16 pages.
d (b. 332)	Parts for violin 1, horns (1 and 2), and trombones (tenor, bass) only of 1979 version, entitled ‘Overture, song and dance’. Master copies. 11 leaves.

MSS. Mus. b. 329-32

VIII Band Music

Circus Parade

For brass band. Score, dated at end, ‘July 14th 1972’. ‘For Malcolm Tyler and the Northamptonshire Youth Brass Band, by whom it was commissioned’. See also Plaine and Fancy e (b. 340) below. 12 pages.

MS. Mus. b. 333

Festival March and Fanfare

For brass band. 1983. ‘Commissioned by the Portsmouth Brass Band Festival ... for performance ... on June 10th 1983’. The march is the same as ‘Colonel Blimp’ (see below), with some re-scoring.

a (b. 334)	Score, dated at end, ‘© 1983’. 16 pages;
b (b. 335)	Pencil drafts of the Fanfare, in F and in G. 8 pages;
c (b. 379)	Transparencies of parts. 18 leaves (not separately foliated).

MSS. Mus. b. 334-5, 379

Plaine and Fancy

prelude and fugue for wind band. 1992.

a (b. 336)	Score, dated at end, ‘Liss, 15 November, 1992’. 24 pages;
b (b. 337)	Pencil draft score, untitled, dated at end, ‘Sept. 3 1992’. Obi. fol., 12 pages;
c (b. 338)	Score, entitled ‘Introduction and Allegro’, dated at end, ‘Sept. 12th 1992’. 16 pages;
d (b. 339)	Pencil draft of fugue (pp. 1-4 only). Obi. fol., 4 pages;
e (b. 340)	Ink draft of fugue (p. 1-15 only), with 2 pages of revisions in pencil (pp. 16 and 19). Pp. 17-18 originally belonged to a draft of ‘Circus Parade’ (see above), p. 17 being a title-page, ‘Circus Parade. Sketched score, July 3rd-4th 1972’. 19 pages.

MSS. Mus. b. 336-40

Colonel Blimp

March for brass band. n.d. See also ‘Festival March and Fanfare’ (above).

a (b. 341)	Score. 12 pages;
b (b. 342)	Blue and red ballpoint draft score, untransposed, untitled. 12 pages;
c (b. 343)	Blue and red ballpoint draft score, transposed. 8 pages;
d (b. 344)	Blue and red ballpoint piano sketch. 1 leaf;
e (b. 380)	Transparencies of parts in a re-arrangement by F. Boyce. 34 leaves (not separately foliated).

MSS. Mus. b. 341-4, 380

Captain Cod

March for military band. 1968? Originally written for the film Flickorna (see above).

a (b. 345)	Score. 3 leaves;
b (b. 346)	Score, slightly revised version of a). With a typescript note on the work’s history, iv + 6 pages;
c (b. 347)	Black and red ballpoint draft score, wrongly marked as being ‘Colonel Blimp’. 7 leaves;
d (b. 348)	Black, blue and red ballpoint and pencil sketches. One wrongly marked ‘Colonel Blimp’. 9 leaves;
e (b. 381)	Transparencies of parts of a brass band arrangement by F. Boyce. 36 leaves (not separately foliated).

MSS. Mus. b. 345-8, 381

IX Instrumental ensembles

Son et Lumiere productions

For instrumental ensemble. 19 leaves.

a (fols. 1-4)	Kenilworth, 1962. Score;
b (fols. 5-8)	Carrick Fergus, 1963. Pencil score;
c (fols. 9-12)	Bury-St-Edmunds, 1964. Pencil and ink draft score;
d (fols. 13-19)	Pembroke Castle, n.d. (c. 1965). Score (fols. 12-17), and part of harp part (fols. 18-19).

MS. Mus. b. 349

Harlequin Suite for Brass

For 2 trumpets, 2 horns, 2 trombones and tuba. 1970. Originally entitled ‘Harlequinade’.

a (b. 350)	First version of score. Ink with red ballpoint and pencil revisions. 10 pages;
b (b. 351)	Second version of score. Ink with blue ballpoint and pencil revisions. Wanting pp. 5-8. 12 pages;
c (b. 352)	Third version of score. Ink with red ballpoint and pencil revisions. 14 pages;
d (b. 353)	Arrangement for 2 trumpets, 2 horns, tenor and bass trombones. Score with pencil revisions. 12 pages;
e (b. 354)	Pencil draft, entitled ‘Harlequinade sketches’, dated ‘October 1970’ 18 pages;
f (b. 355)	Ballpoint drafts/sketches, the main section (fols. 1-3) headed ‘Music for brass’. 5 leaves.

MSS. Mus. b. 350-5

Fanfare for Stroud Festival

For 4 trumpets and 3 trombones, n.d. 5 leaves.

a (fol. Ir+v)	Score, with key signature of 3 flats;
b (fol. 2r+v)	Earlier score, with key signature of 2 flats;
c (fol. 3)	Pencil draft score, with unrelated sketches on verso;
d (fol. 4r+v)	Ballpoint draft score;
e (fol. 5)	Ballpoint draft score (first 6 bars only), headed ‘Fanfare for HRH’, with unrelated sketches on verso.

MS. Mus. b. 356

Untitled (i)

piece for trumpet, saxophone, double bass and percussion, n.d. Score (fol. Ir+v), marked ‘etc.’ at end., with a second copy (fols. 2-3). 3 leaves.

MS. Mus. b. 357

Untitled (ii)

piece for 2 trumpets, trombone, 2 alto saxophones, tenor saxophone, flute, guitar, bass and drums, n.d. 4 leaves.

a (fols. l-2v)	Pencil score;
b (fols. 3-4v)	Pencil draft.

MS. Mus. b. 358

X Chamber music

Le Tombeau de Prudence

For flute, oboe and piano. 1974.

a (b. 359)	Draft score, with ballpoint and pencil revisions. 8 pages;
b (b. 360)	Final score, with pencil revision, dated at end, ‘Sept. 23rd 1974’. 10 pages.

MSS. Mus. b. 359-60

Sonata for Violin and Piano

1979, rev. 1985. Published, London, Novello, 1995.

a (b. 361)	Early draft score, undated, ii + 22 pages;
b (b. 362)	Score, dated at end, '© 1979'. Marked in pencil, ‘earlier version’, ii + 26 pages;
c (b. 363)	Score, dated at end, ‘West Liss, October 2nd 1985’. 28 pages;
d (b. 364)	Violin part, dated ‘© 1979’, but with red ink and pencil revisions which only partly match the 1985 score (especially in the 3rd movt.). i + 9 pages.

MSS. Mus. b. 361-4

Andante con moto

in D major, for an unnamed instrument (?violin) and piano. Dated at end, ‘© 2004’; with a continuation on another sheet, intended as a ‘B’ section before a ‘da capo’, but seemingly rejected. 2 leaves.

MS. Mus. b. 365

Sonatina for Flute and Piano

Single page with ‘Suggested changes for recorder’ only. n.d. The manuscript of the flute version is not present, but it was published, London, Novello, 1964. 2 leaves (fols. lv-2v blank).

MS. Mus. b. 366

XI Piano music (for one and two pianos)

Five Preludes for Piano

1989. ‘For Len Vorster, who gave the first performance at the Melbourne Conservatorium on August 13th, 1989’. 10 leaves. Published, London, Novello, 1992.

MS. Mus. b. 367

Sunday Pursuit

Suite for piano (with wordless voice in 4th no.). 1990. Score (fols. 1-8), dated at end, ‘© 1990’, with earlier drafts of no. 2 (fols. 9v-10) and no. 4 (2 drafts, the second incomplete) (fols. 1 lv-13). 13 leaves.

MS. Mus. b. 368

Mardi Gras: Marche Triomphale

For 2 pianos. 1999. 5 leaves.

a (fols. 1-3)	Score, dated at end, © 1999;
b (fols. 4-5v)	Pencil sketches/draft.

MS. Mus. b. 369

Bagatelles

For piano, n.d. ‘For Michael Easton, who suggested them’. 6 pages.

MS. Mus. b. 370

Untitled prelude and fugue in E minor

For piano. 6 leaves.

a (fols. 1-3)	Score, dated at end, ‘Nov. 11th 1967, Stockholm’;
b (fols. 4-6)	Pencil draft.

MS. Mus. b. 371

Untitled piano piece

Score, with apparently unrelated sketches. 2 leaves.

MS. Mus. b. 372

XII Arrangements, transcriptions and editions

a (fol. Ir+v)	National anthem. Arr. for orchestra. Score, dated ‘© 1976’;
b (fols. 2-4)	[Thomas Arne]: Rule Britannia. Arr. for SA and SATB chorus, n.d. Chorus score with pencil annotations (fol. 2); piano accompaniment part (fol. 3) and pencil sketch of opening of an orchestration (fol. 4);
c (fol. 5)	[Franz Gruber]: Silent night. Arr. for SATB. Score, n.d.;
d (fol. 6)	Ivor Gurney: Fair lady’s mantle. Song for voice and piano. Words by John W. Raines. First 12 bars only. [Edited by Michael Hurd];
e (fols. 7-8)	Ivor Gurney: Had I the heaven’s embroidered cloths. Song for voice and piano. Words by W.B. Yeats. Edited by Michael Hurd;
f (fol.9r+v)	Thomas Linley (1756-78): Minuet from ‘Ode to the witches and fairies of Shakespeare’. For keyboard. Score, transcription dated at end, ‘British Museum, 1956’;
g (fol. lOr+v)	Thomas Linley (1756-78): How easy was Collin. Song for voice and piano. Score, n.d. (1956?);
h (fol. 11)	James L. Molloy: Love’s old sweet song. Arr. for SATB by Michael Hurd. n.d.;
i (fol. 12)	William Paxton: Breathe soft ye winds. Glee for 3 voices. Newly transcribed and edited by Geoffrey Bush and Michael Hurd; published in Invitation to the partsong, 7 (London, Stainer & Bell, 1996);
j (fols. 13-14)	Richard Rodgers: ‘If I loved you’ from ‘Carousel’. Arr. for SATB. n.d. Pencil draft (fol. 14v), with sketches for other works, including two pieces for string quartet;
k (fols. 15-17)	Camille Saint-Saens: Finale [from ‘Le carnival des animaux’]. Arranged by Michael Hurd for SATB chorus and piano [and other instruments?], with words by Hurd beginning ‘Cats and dogs and birds and bees’. Chorus part only, dated at end, ‘© 2000’;
l (fols. 18-19)	Giuseppe Verdi: Nabucco (‘Va pensiero’), arranged for ?violin and piano. Marked ‘Cue VIII’. Score, n.d.

MS. Mus. b. 373
												XIII Unfinished works, sketches and unidentifiable material

Titled

(or otherwise identifiable) works, unfinished, or at least only known from these incomplete manuscripts. 68 leaves.

a (fols. l-2v)	Cataman songs. Rough pencil draft, ?completed;
b (fols. 3-13v)	[‘The retired cat’]. Pencil sketches for voice and piano, setting William Cowper’s poem;
c (fols. 14-22)	String trio. Piano rough draft, ?completed. With unrelated sketches on fols. 22v, 24v and 25v;
d (fols. 26-7)	Winter. (‘These are my words: The stag bells, winter snows...’). For voice, Chinese bell, xylophone, triangle and maracas. Pencil draft, n.d. ?Part of larger work;
e (fol.s 28-38v)	Concertino for piano and strings, n.d. Blue and red ballpoint and pencil sketches. ?Abandoned;
f (fols. 39-42)	Concertino for clarinet and strings. Pencil draft score of Adagio (fols. 39-41), dated at end, ‘Sept.-Nov. 54’. Marked ‘Duration 15 mins’, but ?abandoned. Obi. fol.; another brief sketch (fol. 42) marked ‘Clarinet concerto’;
g (fols. 43-52v)	Sycamore tree. ?Cantata. For voice(s) and orchestra. Pencil draft score (pp. 1-20 only);
h (fols. 53-4v)	My own little girl. ?Short overture. For orchestra. Pencil draft score (2 p.), with ‘The seasons coda’ (p. '23+');
i (fols. 55-8v)	The seasons. For orchestra. Pencil draft score (pp. 21-28 only);
j (fols. 59-62)	Notes for the Overture: Celebration. Blue ballpoint sketches.n.d.;
k (fols. 63-6v)	‘In the borrowed bedrooms, When no one else is there’. For narrator and piano? n.d. Blue ballpoint draft (fols. 63-4v). with an earlier ink and blue ballpoint sketch/draft (fols. 65-6v);
l (fol. 67-8)	Hymn tune in D major, untitled, n.d. in 3-part keyboard format, with added notes inked or pencilled in (fol. 65); with red ballpoint sketch (fol. 66).

MS. Mus. b. 374

Miscellaneous

unidentifed drafts/sketches and other material.

Among the leaves the following subjects, titles or first lines appear: The emperor and the nightingale; Cocktail cabinet; ‘Op’ra makers, we, gay for the world to see’; ‘Child of the sun, unhappy slave’; ‘Imperial ode’, first lines: ‘Today we're waiting all alert, To open Westonbirt’ and ‘Come and see our home for two’; ‘Threnos’; ‘When that Moses was a little tiny child’; ‘So we'll go no more a’roving’ (2 settings); ‘The sun set’; ‘The water is wide’; ‘Full Mil. Hons,’ (?for a film); ‘Out of the wood of thought’, ‘Rise up’ and ‘The border of sleep’ (for SATB); ‘Dancing bear’, ‘Jolly hunter’, ‘The fox’ (for voice and piano); ‘The spacious firmament on high’ (hymn tune); ‘In joy it makes our mirth abound’; ‘Swan song’ (for string quartet?); ‘Sabrina's song’(‘By the rushy fringed bank’ (words from Milton's Comus)); Magnificat; ‘Solique (‘Lap me in soft Lydian airs’) (for tenor and violin); ‘Soldier, soldier, why will you roam ?’; ‘Hungarian fantasia’, for piano; no.7 ‘The day of days’ (‘Each ere earth falleth down the dusk’), and no. 4 ‘Song of war’ (A new flag floats upon the breeze', for SATB; ‘Sigh no more ladies’ (not related to ‘Much ado about nothing’ incidental music); ‘Cats and dogs and birds and bees’; ‘Think and you will find it true’ ‘Rainbow waltz’; ‘Te Deum laudamus’; ‘Sing aloud his praise rehearse’ (words by Richard Crashaw). Various sizes, 179 leaves.

MS. Mus. b. 375

2 commercial music manuscript notebooks

used for sketches. Obi.8° and 8°, 19, 4 leaves.

MSS. Mus. e. 50-1

INDEX

of substantial or complete pieces only

A Lover’s Garland. See Carmina Amoris
Adam-in-Eden, 11
Antiphon, 16
Aspern Papers, The, 1
Bagatelles, 32
Canticles of the Virgin Mary, 6
Captain Cod, 28
Captain Coram's Kids, 11
Carmina Amoris, 22
Carol for the Campbells, A, 18
Charms and Ceremonies, 7
Chime of Carols, A, 18
Choral Cantata, A, 14
Cider with Rosie, 3
Circus I – IV, 25
Circus Parade. See  Plaine and Fancy
Colonel Blimp, 28
Comus, 3
Concertino Pastorale. See  Sinfonia Concertante
Concerto da Camera, 26
Consecration Hymn, 16
Dance Diversions, 25
Day’s Alarm, The, 23
Dream Cantata, A, 17
Edward II, 4
Exile, 23
Fanfare for Stroud Festival, 29
Festival March and Fanfare, 27
Five Epitaphs, 16
Five Preludes for Piano, 32
Five songs for unison voices, 20
Five Songs of Love. See Carmina Amoris
Five Songs of Praise, 15
Five Spiritual Songs, 13
Flickorna, 5
Flower Songs, 8
Four Anthems, 19
Genesis, 19
Grace of our Lord Jesus Christ, The, 19
Had I the heaven’s embroidered cloths, 33
Hang Me High in Mississippi, 24
Harlequin Suite for Brass, 29
Hip-Hip Horatio, 9
It Is a Good Thing, 19
Jazz Testament, 19
Jonah-Man Jazz, 6
King and Conscience, 13
Liberty Tree, The, 12
Little Billy, 6
Little Suite, A, 25
Mardi Gras, 32
Merciles Beaute, 16
Missa Brevis, 7
Mr Owen’s Great Endeavour, 13
Mr Punch, 15
Mrs Beeton's Book, 11
Much Ado About Nothing, 3
Music for the Tragical Comedy of Pyramus and Thisbe, 4
Musick's Empire, 10
Music's Praise, 7
National Anthem, 33
New Nowell, A, 12
Night of the Wedding, The, 2
Night Songs of Edward Thomas, 14
Night Swans, The, 21
Nine of Anon, 11
Nine songs for unison voices, 6
Nu natten gått och dagen grytt, 4
Overture to an Unwritten Comedy, 26
Parley of Owls, A, 17
Phoenix and the Turtle, The, 8
Pilgrim, 10
Plaine and Fancy, 27
Pop Pied Piper, 14
Praise ye the Lord, 16
Prodigal, 12
Psalm 130, 19
Rejoice With Us, 17
Ride by Night, The, 23
Ring Round the Moon, 3
Romeo and Juliet, 3
Rooster Rag, 10
Round the Town, 10
Rule Britannia, 33
Safely, Safely, 5
Scrubbers, 5
Secular Anthem, A, 18
Seven hymns for the Nativity. See This Day to Man
Shepherd's Calendar, 9
Shore Leave, 22
Silent night, 33
Sinfonia Concertante, 25
Singing Dolphin, The, 4
Six hymns for the Nativity. See This Day to Man
Son et Lumiere productions, 29
Sonata for Violin and Piano, 31
Song for St Cecilia, A, 7
Song of St Francis, A, 17
Songs of Here and There, 17
Strengthen for Service, Lord, 18
Sunday Pursuit, 32
Swingin' Samson, 8
Ten songs with piano, 21
This Day to Man, 8
Three Saints in One, 14
Three Songs of Robert Graves, 23
Three Songs of W H Davies, 23
Tombeau de Prudence, Le, 31
Untitled prelude and fugue, 32
Western Sailors, 24
Widow of Ephesus, The, 1